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GLOBAL TALENT LIST

24

When you see rap duo, The Dragon Sisters, in action for the first time you’re likely to wonder: who are these magical beings? Six-foot-five, acres of liquid brown skin, legs for so many days it might as well be weeks? Are they together, like together-together? Are they drag queens? Are they twins? Only one has a beard. Sisters at least? Brothers? Are they male or female, both or neither? Are they even real? What you’re feeling is the transcendent charisma that is the hallmark of the union of multidisciplinary performers Cain Coleman (aka Odessa) and Issa Perez . There is no right answer. They’re all of the above and none of the above. Once you think you’ve seen their whole toolbox, they show you a secret compartment. The Dragon Sisters are what you get when you mix two once-in-a-lifetime soulmates, a busload of talent, and a New York City hustle mentality. From their journey as art school students, to professional modern dancers, to fashion models, to artistic directors, to night-life queens with a self-made household name, their first studio EP “The Fine Print” is the creative culmination of their entwined pasts, told with a strong focus on the future they will shape for themselves. “The Fine Print” drops February 12th 2021!

The heart of this fated collaboration lives in Issa and Odessa’s unshakable friendship. The pair met at North Carolina School for the Arts, as young dancers just entering the thick of what would be years of rigorous classical training. It happened when at a school audition, the two spotted each other in the hallway. They noticed they looked alike, both long, tall, skinny brown boys. They struck up a conversation, took a trip on the campus shuttle to Walmart, and that was that. From that day on, they would never not have each other. Both transferred to the Dance Conservatory at SUNY Purchase a year later. They were already The Dragon Sisters, they just didn’t exactly know it yet. The friendship has always been tied to learning with and from one another. Side-by-side for their formative years, they always had each other to look to for inspiration on dance, music, fashion, style, etc. Though they recognize they often have different perspectives when it comes to art, the essence of The Dragon Sisters comes from quality time spent training together, studying from the same teachers, doing the same drugs, developing their values, growing always together.

The EP’s first track, “The Vibe”, simmers into your ears, floating on a surface about to be broken by a boil. The tension of the instrumentation is there for a reason, as it speaks on behalf of all the too fem, or too masc, or too-something people that have worked hard to be where they are and deserve to be treated with respect. The subject matter is serious, even confrontational, but the melody and clever repetition of lyrics, with the instruction ‘side-to-side’, make it impossible to listen to the track without letting your shoulders dance. It’s in this opener that we get an introduction to the full spectrum of the duo’s talents. Their quick-witted lyricism, punctuated by vocal manipulations, keep the ear excited but sit comfortably within the group’s developing umbrella of sound.

The whole EP is a meeting of many musical genres, exploring rap, RnB, pop, rock, and a flash of a boy-band/girl-group allusion here and there. It’s a chill but motivating vibe, music to listen to with the windows down on the freeway. It says we’re going, we’ve got this, let’s get it. It’s about conviction, rising up, and taking things into their own hands. That’s what this pair has had to do.

In their years devoted to mastering classical dance, their individual voices were not accepted as part of their art. Even when they learned to be bold enough to contribute their voices to the space, both knew it was an unavoidably white space and their voices would not be received in the same way as their white colleagues. Obedience was the watchword in the concert-dance world and it took time to ease out of that brain-space once the sisters transitioned from the classical dance space to the wide-open world of night life, where they met a lot of club-kids, queens, musicians, and promoters.

They met recording artist Spencer Ludwig, who invited them to host a recurring circuit party called Le Trumpet, at The Freehold in Williamsburg, BK. ‘The Dragon Sisters’ were born! In heels and wigs with faces beat to the gods, the sisters lip-sync and dance full-out in unison to banging medleys of popular black-made songs. A Dragon Sisters event is a mind-blowing, life-affirming thing to behold. But there was more they could do. They wanted to make their own music, push their productions and artistry to the next level. But could they?

The Dragon Sisters grew up believing that people like them weren’t allowed to be rappers. Coleman comes from Virginia, Perez from the Bronx, and though they both grew up with hip-hop as the backing track for their youths, certain things were made clear to them from the get-go: they were queer, fem, and as Kanye West once claimed, “The literal opposite of hip hop is gay.” Hip hop was the language they spoke, but Perez and Coleman knew their own people didn’t want to hear it from them. They both grew up feeling excluded from rap’s hyper-masculine space, with all the taboos surrounding gayness in black culture. But the industry has been changing since then, and The Dragon Sisters are ready to bust it all the way open. Issa and Odessa write to reclaim their identities, their time, and recondition their minds from an oppressive past, to access to the wells of creativity within.

Their second track “Security” is about feeling vulnerable and needing protection. As two tall, athletic men one might think they don’t need protection, but as queer black men dressed femininely, they are part of one of the most vulnerable demographics in America. This song is a love letter to outcasts and the people that help keep them safe in the present, but also looks ahead to a time when they won’t have to worry about their safety after a late night gig. They look ahead to their glow-up, when they’ll be big enough to hire their own security, and they can live as themselves without fear. Until then, however, they know they have to watch over their shoulders.

“Hollywood”, is about being iconic, picturing yourself in silhouette and instantly recognizable to the masses. It’s told from the perspective of people who have spent much of their lives hiding and are ready to be seen. In “Arigato” the sisters enter a full hip hop fantasy, seeing their songs hit the top of the charts and still staying humble, a good winter song to jump you out of your seasonal depression.

Speaking on their next song “Insight Out,” Odessa and Issa talk about the importance of keeping ones sense of self precious, safe from others who seek to do harm. “Think of your life as a concert hall. Everyone is invited in, but you decide where to put them. Some people are front-row orchestra, some people are up in the balcony. Not everyone is invited backstage, but everyone is welcome.” It’s a bittersweet song, presenting both the power in creating boundaries for yourself, and also the sadness in those you’ll lose because of it.

The EP closes strong with “Piece of Steel,” a song about the stillness of peace, and how in that stillness is the weight of all experiences lived through, good or bad. “It’s like, don’t make me start a riot here,” the sisters say about the song, “And then we start a riot.” There is an undercurrent of anger in the song, and why shouldn’t there be? This EP was written in pieces, separate and together, over 2020, living as black queer artists, hustling through the emotional, physical, and financial traumas of covid-19, the killing of unarmed black men by cops in America, all the while trying to imagine a beautiful future.

“The Fine Print” EP ends on an inhale, leaving the listener caught up, unbreathing, mind turning, and likely scrolling to the top of the track list to listen over again.

The thing about The Dragon Sisters is they know how to believe in each other, and in this world and this time and this industry, radical self-belief is everything. It took years of muscling through a world that celebrates so few to realize that to tell their story, it would be up to themselves to write it. They have become their own historians, archivists, making sure their legacy is eternal, passed down, and real. The Dragon Sisters are a lot of things: a striking image, an energy, a rhythm in your heart. They are genre-bending, gender-bending, perspective-bending artists. They are culture, they are pop, they are history in an instant. You can find them in a gay bar, in a cipher, in a music video, as featured guests in a socially-distanced Black Lives Matter protest at McCarren Park. They are all that and the infinite possibilities of everything they can become. You really don’t want to miss it!

CV & PRESS

Publications/Press Mentions

Vouge | USA, 2021

Billboard | USA, 2021

Coarsen | UK, 2021

Thotessy Hot 100 | USA, 2021

Queer The Music | USA, 2021

Paper Magazine | USA, 2020

Billboard.com | USA, 2019

CAP 74024 | Italy, 2020

logo.tv.com | USA 2019

New York Post | USA, 2019

Mulieris Magazine | Italy, 2019

Vanity Fair | USA, 2019

Elle Magazine | USA, 2018

Current Campaigns

The Kit | Daniel Vosovic, 2020

Frock the World | Eli Schmidt, 2020

Sidewalk Killa | Alexi Kim, 2019

Previous Campaigns

Adidas x Missoni | Santiago & Mauricio, 2020

House o Bones | BONES, 2019

KHYRI | Jameel Mohammed, 2019

Performances

The Quick Flight Tour| Directed and produced by The Dragon Sisters, 2021

SHE’S A RIOT | Black Trans Lives Matter Virtual Fundraiser Deryck Todd Live Stream, 2020

The Lost Halloween | NYC Immersive Theater Live Stream, 2020

Harvest Moon Festival CHOSEOK | KQTx Presents Live Stream, 2020

Bushwig BLM Protest | Mccarren Park New York, NY, 2020

Bubble Ball | That Brunette & Lexxe Mermaids UK Live Stream, 2020

Interdependence Day | The Wide Awakes Washington Square Park New York, NY, 2020

Butt Con | Hello Tushy New York, NY, 2019

Love Ball 3 | Suzanne Bartsch New York, NY, 2019

Bushwig | New York, NY, 2019

Then Their Heads Fell Off | That Brunette & Lexxe Gold Sounds Bar Brooklyn, NY, 2019

VICELAND Pride | Vice Metropolitan Brooklyn, NY, 2019

React/Reaction Screening | Spark Film Festival Brooklyn Ballet Brooklyn, NY, 2018

Incriminate the Intimate | Otion Front Studio Brooklyn, NY, 2018

International Rescue Committee Benefit | Power of People Combined Le Poisson Rouge New York, NY, 2018

World Pride with The Dragon Sisters | The Freehold Brooklyn, NY, 2018

‘Second Act’ | Mana Contemporary Jersey City, NJ & Miami, FL, 2018

Gibney Dance Company-Curated | Gibney Dance New York, NY, 2018

OUT DANCE | Bronx Academy of Arts and Dance Bronx, NY, 2018

3:5 Immersive Art Exhibit | Okay Space Gallery New York, NY, 2017

ColemanCollective Fashion Show | Rainbow Fashion Week New York, NY, 2017

‘Someday’ Premiere | WOVEN (We Oppose Violence Everywhere Now) New York, NY, 2017

‘For Us’ | Groundswell Fund New York, NY, 2017

A BENEFIT DANCE CONCERT | MOVE (NYC) Gibney Dance New York, NY, 2017

Afro Dance Xplosion | Arts Council England London, UK, 2017

Parties

Opps | West Dakota and Chiquitita The Rosemont Brooklyn, NY, 2020

Situations | The Dragon Sisters The Gradient Brooklyn, NY, 2020

Holy Mountain | Lady Fag Avant Gardner Brooklyn, NY, 2019

Le Trumpet | Spencer Ludwig The Freehold Brooklyn, NY, 2019

Bitch Nasty | DJ Ickarus The Rosemont Brooklyn, NY, 2019

Rumpus Room | Kynect Faur Rumpus Room New York, NY, 2018

Collaborators

• Braden Clark | Art Director

• Maximo Xtravaganza | Videographer

• Angelo Vasta | Videographer

• Shoy-li | Music Producer

• Javery James | Music Producer

• Nick Atkinson | Curator

• Spencer Ludwig | Curator

• That Brunette | Curator

• Lexxe | Curator

• M.A.D. Smooth Music | Music Engineer

• Alexander Propios | Fashion Designer

• Darrell Thorne | Costume Designer

• Camila Falquez | Photographer

• Andrew Boyle | Photographer

• Lauren Silberman | Photographer

 

Published in Singers

When you see rap duo, The Dragon Sisters, in action for the first time you’re likely to wonder: who are these magical beings? Six-foot-five, acres of liquid brown skin, legs for so many days it might as well be weeks? Are they together, like together-together? Are they drag queens? Are they twins? Only one has a beard. Sisters at least? Brothers? Are they male or female, both or neither? Are they even real? What you’re feeling is the transcendent charisma that is the hallmark of the union of multidisciplinary performers Cain Coleman (aka Odessa) and Issa Perez . There is no right answer. They’re all of the above and none of the above. Once you think you’ve seen their whole toolbox, they show you a secret compartment. The Dragon Sisters are what you get when you mix two once-in-a-lifetime soulmates, a busload of talent, and a New York City hustle mentality. From their journey as art school students, to professional modern dancers, to fashion models, to artistic directors, to night-life queens with a self-made household name, their first studio EP “The Fine Print” is the creative culmination of their entwined pasts, told with a strong focus on the future they will shape for themselves. “The Fine Print” drops February 12th 2021!

The heart of this fated collaboration lives in Issa and Odessa’s unshakable friendship. The pair met at North Carolina School for the Arts, as young dancers just entering the thick of what would be years of rigorous classical training. It happened when at a school audition, the two spotted each other in the hallway. They noticed they looked alike, both long, tall, skinny brown boys. They struck up a conversation, took a trip on the campus shuttle to Walmart, and that was that. From that day on, they would never not have each other. Both transferred to the Dance Conservatory at SUNY Purchase a year later. They were already The Dragon Sisters, they just didn’t exactly know it yet. The friendship has always been tied to learning with and from one another. Side-by-side for their formative years, they always had each other to look to for inspiration on dance, music, fashion, style, etc. Though they recognize they often have different perspectives when it comes to art, the essence of The Dragon Sisters comes from quality time spent training together, studying from the same teachers, doing the same drugs, developing their values, growing always together.

The EP’s first track, “The Vibe”, simmers into your ears, floating on a surface about to be broken by a boil. The tension of the instrumentation is there for a reason, as it speaks on behalf of all the too fem, or too masc, or too-something people that have worked hard to be where they are and deserve to be treated with respect. The subject matter is serious, even confrontational, but the melody and clever repetition of lyrics, with the instruction ‘side-to-side’, make it impossible to listen to the track without letting your shoulders dance. It’s in this opener that we get an introduction to the full spectrum of the duo’s talents. Their quick-witted lyricism, punctuated by vocal manipulations, keep the ear excited but sit comfortably within the group’s developing umbrella of sound.

The whole EP is a meeting of many musical genres, exploring rap, RnB, pop, rock, and a flash of a boy-band/girl-group allusion here and there. It’s a chill but motivating vibe, music to listen to with the windows down on the freeway. It says we’re going, we’ve got this, let’s get it. It’s about conviction, rising up, and taking things into their own hands. That’s what this pair has had to do.

In their years devoted to mastering classical dance, their individual voices were not accepted as part of their art. Even when they learned to be bold enough to contribute their voices to the space, both knew it was an unavoidably white space and their voices would not be received in the same way as their white colleagues. Obedience was the watchword in the concert-dance world and it took time to ease out of that brain-space once the sisters transitioned from the classical dance space to the wide-open world of night life, where they met a lot of club-kids, queens, musicians, and promoters.

They met recording artist Spencer Ludwig, who invited them to host a recurring circuit party called Le Trumpet, at The Freehold in Williamsburg, BK. ‘The Dragon Sisters’ were born! In heels and wigs with faces beat to the gods, the sisters lip-sync and dance full-out in unison to banging medleys of popular black-made songs. A Dragon Sisters event is a mind-blowing, life-affirming thing to behold. But there was more they could do. They wanted to make their own music, push their productions and artistry to the next level. But could they?

The Dragon Sisters grew up believing that people like them weren’t allowed to be rappers. Coleman comes from Virginia, Perez from the Bronx, and though they both grew up with hip-hop as the backing track for their youths, certain things were made clear to them from the get-go: they were queer, fem, and as Kanye West once claimed, “The literal opposite of hip hop is gay.” Hip hop was the language they spoke, but Perez and Coleman knew their own people didn’t want to hear it from them. They both grew up feeling excluded from rap’s hyper-masculine space, with all the taboos surrounding gayness in black culture. But the industry has been changing since then, and The Dragon Sisters are ready to bust it all the way open. Issa and Odessa write to reclaim their identities, their time, and recondition their minds from an oppressive past, to access to the wells of creativity within.

Their second track “Security” is about feeling vulnerable and needing protection. As two tall, athletic men one might think they don’t need protection, but as queer black men dressed femininely, they are part of one of the most vulnerable demographics in America. This song is a love letter to outcasts and the people that help keep them safe in the present, but also looks ahead to a time when they won’t have to worry about their safety after a late night gig. They look ahead to their glow-up, when they’ll be big enough to hire their own security, and they can live as themselves without fear. Until then, however, they know they have to watch over their shoulders.

“Hollywood”, is about being iconic, picturing yourself in silhouette and instantly recognizable to the masses. It’s told from the perspective of people who have spent much of their lives hiding and are ready to be seen. In “Arigato” the sisters enter a full hip hop fantasy, seeing their songs hit the top of the charts and still staying humble, a good winter song to jump you out of your seasonal depression.

Speaking on their next song “Insight Out,” Odessa and Issa talk about the importance of keeping ones sense of self precious, safe from others who seek to do harm. “Think of your life as a concert hall. Everyone is invited in, but you decide where to put them. Some people are front-row orchestra, some people are up in the balcony. Not everyone is invited backstage, but everyone is welcome.” It’s a bittersweet song, presenting both the power in creating boundaries for yourself, and also the sadness in those you’ll lose because of it.

The EP closes strong with “Piece of Steel,” a song about the stillness of peace, and how in that stillness is the weight of all experiences lived through, good or bad. “It’s like, don’t make me start a riot here,” the sisters say about the song, “And then we start a riot.” There is an undercurrent of anger in the song, and why shouldn’t there be? This EP was written in pieces, separate and together, over 2020, living as black queer artists, hustling through the emotional, physical, and financial traumas of covid-19, the killing of unarmed black men by cops in America, all the while trying to imagine a beautiful future.

“The Fine Print” EP ends on an inhale, leaving the listener caught up, unbreathing, mind turning, and likely scrolling to the top of the track list to listen over again.

The thing about The Dragon Sisters is they know how to believe in each other, and in this world and this time and this industry, radical self-belief is everything. It took years of muscling through a world that celebrates so few to realize that to tell their story, it would be up to themselves to write it. They have become their own historians, archivists, making sure their legacy is eternal, passed down, and real. The Dragon Sisters are a lot of things: a striking image, an energy, a rhythm in your heart. They are genre-bending, gender-bending, perspective-bending artists. They are culture, they are pop, they are history in an instant. You can find them in a gay bar, in a cipher, in a music video, as featured guests in a socially-distanced Black Lives Matter protest at McCarren Park. They are all that and the infinite possibilities of everything they can become. You really don’t want to miss it!

CV & PRESS

Publications/Press Mentions

Vouge | USA, 2021

Billboard | USA, 2021

Coarsen | UK, 2021

Thotessy Hot 100 | USA, 2021

Queer The Music | USA, 2021

Paper Magazine | USA, 2020

Billboard.com | USA, 2019

CAP 74024 | Italy, 2020

logo.tv.com | USA 2019

New York Post | USA, 2019

Mulieris Magazine | Italy, 2019

Vanity Fair | USA, 2019

Elle Magazine | USA, 2018

 

Current Campaigns

The Kit | Daniel Vosovic, 2020

Frock the World | Eli Schmidt, 2020

Sidewalk Killa | Alexi Kim, 2019

 

Previous Campaigns

Adidas x Missoni | Santiago & Mauricio, 2020

House o Bones | BONES, 2019

KHYRI | Jameel Mohammed, 2019

 

Performances

The Quick Flight Tour| Directed and produced by The Dragon Sisters, 2021

SHE’S A RIOT | Black Trans Lives Matter Virtual Fundraiser Deryck Todd Live Stream, 2020

The Lost Halloween | NYC Immersive Theater Live Stream, 2020

Harvest Moon Festival CHOSEOK | KQTx Presents Live Stream, 2020

Bushwig BLM Protest | Mccarren Park New York, NY, 2020

Bubble Ball | That Brunette & Lexxe Mermaids UK Live Stream, 2020

Interdependence Day | The Wide Awakes Washington Square Park New York, NY, 2020

Butt Con | Hello Tushy New York, NY, 2019

Love Ball 3 | Suzanne Bartsch New York, NY, 2019

Bushwig | New York, NY, 2019

Then Their Heads Fell Off | That Brunette & Lexxe Gold Sounds Bar Brooklyn, NY, 2019

VICELAND Pride | Vice Metropolitan Brooklyn, NY, 2019

React/Reaction Screening | Spark Film Festival Brooklyn Ballet Brooklyn, NY, 2018

Incriminate the Intimate | Otion Front Studio Brooklyn, NY, 2018

International Rescue Committee Benefit | Power of People Combined Le Poisson Rouge New York, NY, 2018

World Pride with The Dragon Sisters | The Freehold Brooklyn, NY, 2018

‘Second Act’ | Mana Contemporary Jersey City, NJ & Miami, FL, 2018

Gibney Dance Company-Curated | Gibney Dance New York, NY, 2018

OUT DANCE | Bronx Academy of Arts and Dance Bronx, NY, 2018

3:5 Immersive Art Exhibit | Okay Space Gallery New York, NY, 2017

ColemanCollective Fashion Show | Rainbow Fashion Week New York, NY, 2017

‘Someday’ Premiere | WOVEN (We Oppose Violence Everywhere Now) New York, NY, 2017

‘For Us’ | Groundswell Fund New York, NY, 2017

A BENEFIT DANCE CONCERT | MOVE (NYC) Gibney Dance New York, NY, 2017

Afro Dance Xplosion | Arts Council England London, UK, 2017

 

Parties

Opps | West Dakota and Chiquitita The Rosemont Brooklyn, NY, 2020

Situations | The Dragon Sisters The Gradient Brooklyn, NY, 2020

Holy Mountain | Lady Fag Avant Gardner Brooklyn, NY, 2019

Le Trumpet | Spencer Ludwig The Freehold Brooklyn, NY, 2019

Bitch Nasty | DJ Ickarus The Rosemont Brooklyn, NY, 2019

Rumpus Room | Kynect Faur Rumpus Room New York, NY, 2018

 

Collaborators

• Braden Clark | Art Director

• Maximo Xtravaganza | Videographer

• Angelo Vasta | Videographer

• Shoy-li | Music Producer

• Javery James | Music Producer

• Nick Atkinson | Curator

• Spencer Ludwig | Curator

• That Brunette | Curator

• Lexxe | Curator

• M.A.D. Smooth Music | Music Engineer

• Alexander Propios | Fashion Designer

• Darrell Thorne | Costume Designer

• Camila Falquez | Photographer

• Andrew Boyle | Photographer

• Lauren Silberman | Photographer

 

Published in Performers
Looking for circus and variety performer with two acts (floor/aerial) based in the area of the German cities Berlin, Leipzig, Dresden or Czech Republic city Prague for some gigs
in November, December 2021 and January 2022.
Date:
Rehearsal
24.11.2021
Shows:
25.11.2021
26.11.2021
27.11.2021
04.12.2021
05.12.2021
16.12.2021
06.01.2022
07.01.2022
08.01.2022
09.01.2022
20.01.2022
21.01.2022
27.01.2022
Venue:
theater in Germany
Your application:
with full uncut video, cv, picture, (also headshot) please via email to
This email address is being protected from spambots. You need JavaScript enabled to view it.
No calls please, no whatsapp please.
Published in Jobs & Castings

MAISON the FAUX are open to people from all kinds of disciplines and backgrounds, dancers from any style or training, actors, musicians, acrobats, you name it! Very experienced, just beginning, or self-taught… anyone is welcome to apply! As long as you feel attracted to the MAISON the FAUX world and approach, we are looking for you.

Where: Groningen, Germany

When: May 16th until June 24th in Groningen

Deadline for applications: 8th of October

MAISON the FAUX is looking for you! We are looking for performers to join us in various upcoming projects, one of which is a large performance we will create in Groningen for NITE in the period from the 16th of May until the 24th of June.

Who are we?
In short, MAISON the FAUX is a creative studio posing as a grand couture fashion house. Our work consists of theatrical, immersive performances in which performance, fashion, decor, spatial design and various artistic disciplines are fused into a single comprehensive experience.

Our work
A multidisciplinary approach is essential to our work. In the experiential worlds of fashion that we create, we seek synergy between different disciplines. We are always seeking the ‘multilayerdness’ and ‘immersiveness’ made possible by combining and blending disciplines. So collaborating with makers who – like us – seek to break out of their pigeonhole is important to us! We’re looking for performers who are open to exchanging and exploring boundaries.

Casting call
We are open to people from all kinds of disciplines and backgrounds, dancers from any style or training, actors, musicians, acrobats, you name it! Very experienced, just beginning, or self-taught… anyone is welcome to apply! As long as you feel attracted to the MAISON the FAUX world and approach, we are looking for you.

On October 23rd, we will be casting in Groningen. Auditon by invitation only.

To apply please send us a motivational letter, your CV with a photo, and if possible, a portfolio and/or showreel to This email address is being protected from spambots. You need JavaScript enabled to view it.. Application deadline is set on October 8th.

We will get in touch on or by the 15th of October to let you know if you’re invited to the casting day in Groningen.

For more information feel free to reach out to This email address is being protected from spambots. You need JavaScript enabled to view it..

FEE
Conform Collective Labour agreement for Theatre and Dance.

To apply, read more here https://nite.nl/auditions-maison/
casting

For further information, please visit www.maisonthefaux.com

Published in Jobs & Castings

I am a Singer/Pianist

Published in Singers

Type: TV Commercial

Looking for men and women ages 33-40, all ethnicities. Shooting July 28- 29 in Santa Cruz, CA and San Francisco, CA. Submit photos of yourself, wardrobe sizes, and (optionally) a photo of your car. Must be able to self-report to Pescadero area or Santa Cruz. Mileage to be reimbursed.

Payment: Paid

City or Location of call: Shooting in Santa Cruz, CA and San Francisco, CA
Please submit to: This email address is being protected from spambots. You need JavaScript enabled to view it. by
Submit photos of yourself, wardrobe sizes, and (optionally) a photo of your car.

This casting notice was posted by: Lauryn Jackson, Production Intern at Laundry Service

Published in Jobs & Castings

I love to pose. I can quickly change poses or stay in one for a long time. I always try to make the client happy. I'm positive.

Published in Models & Actors

Platinum Wigs

 

Coming To Las Vegas!’

Platinum Wigs; The side-splitting, laugh out loud, comedy play about Violet Knox; a woman in her Golden years living with her saucy 82 year old mother and Grace, the wise-cracking, Jamaican home health aide in Coney Island, Brooklyn. The annual Summer Mermaid Day Parade appears to be going as usual until Percy, Violets husband, of 32 years suddenly decides he has to make an announcement that will change everyone’s life.

CASTING CALL
Violet: 50-65 African American, Comedic actress. Looks beautiful for her age. Very stylish and cosmopolitan.

Marva: 65-75 African American Comedic Actress. Very sharp and quick witted. Hates getting old. Always has an insult in her purse for everyone.

Grace: 40-55 Black Actress who can do a realistic Caribbean accent. Must have great comedic timing and physical comedy abilities.

Olive: 50-65
Southernbell/ African American Actress quirky but loveable. Always laughing. Everyone thinks she’s dumb but actually very aware.

 

Percy: 50-70
Handsome/ Dapper African American Actor Very stylish and charming. Must not be afraid to kiss a man and a woman on stage.

Marvin: 25-45 African American Male fashion model Handsome and charming. Muscular upper body. Not afraid to be shirtless and kiss a man or woman on stage.

All Actors interested Please send a recent photo and bio of your Acting experience. This is a paid performance. Must be available November 24th, 2021
Send info to Michael Alexis Palmer MermanAlexis Productions:
This email address is being protected from spambots. You need JavaScript enabled to view it.

Payment: Paid

City or Location of call: Las Vegas, Nevada
Please submit to: This email address is being protected from spambots. You need JavaScript enabled to view it.
Mermanalexis Productions

This casting notice was posted by: MermanAlexis Productions Michael Alexis Palmer

Published in Jobs & Castings

UNIVERSAL BEIJING RESORT & UNIVERSAL STUDIOS JAPAN GLOBAL AUDITIONS 2021!

Universal Parks & Resorts 2021 Global Auditions!
Live, Play and Perform in Amazing Asia.

This year, Universal Beijing Resort (UBR) and Universal Studios Japan (USJ) are combining their audition tour to fill roles within both parks.

The exciting, brand-new Universal Beijing Resort opened its gates in 2021, while Universal Studios Japan celebrates its 21st year in operation!

Both parks are seeking talented professionals with a vast range of performance skills to fill a variety of international positions including:

* Male and Female Actors
* Dancers
* Singers
* Stunt Performers

Contracts are up to 13 months in length and begin in early 2022. Attractive performance compensation packages are available to performers we hire, as well as other great benefits including:?

* Quarterly and Completion Bonuses
* Paid round trip airfares
* Fully furnished accommodation
* Transport to and from work
* Gym access
* Medical insurance

APPLY HERE: *** Visit www.universalstudiosauditions.com to see all available roles and register your interest. ***

We look forward to seeing you!

Payment: Paid

City or Location of call: Worldwide
Please submit to: by 2021-08-06
Head Shot, Profile Shot, Full Body Shot, Resume, Optional Showreel

Published in Jobs & Castings

The “Sex and the City” spinoff HBO show, And Just Like That is now filming in NYC.


The show’s extras casting director at GWCI are looking for extras in the New York City area. The show is casting extras of all ages and ethnicities with the character types listed below.

HBO Max has ordered a 10 episode series titled “And Just Like That.” The show is a spin off of the “Sex and the City” television show which followed single women in New York City. And Just Like That will pick up the story decades later and will follow three of the four main characters from the original show. The characters included in the new upcoming series are Carrie, Miranda and Charlotte. They will be portrayed by the original actresses, Sarah Jessica Parker, Cynthia Nixon and Kristin Davis, the ladies, now in their 50’s.

Actress Kim Cattrall will not be resuming her previous character of Samantha and will not be included in the new show…. or, at least that is what is being reported by Bazaar.

According to the story in Bazaar, Sex and the City premiered in 1998 and explored the 30 something lifestyle of single women in a big city.

Interested?  See the casting call below for details – Please note that you must be local to the New York City area in order to be considered.

Gwci seeking people for background on hbomax series #andjustlikethat

Casting people (all ethnicities, all ages) to play the following:
-artists
-college students
-young, hip fashion types
-LGBTQ+ (including Transgender, gender fluid, non-binary, etc.)
-people with unique hairstyles and piercings
-socialites
-fashionistas
-wealthy, upscale types
-people with disabilities
-business / finance types
-bicyclists
-people with dogs
-gorgeous models
Filming begins in July 2021 in NYC. Email your name, union status (SAG-AFTRA or NonUnion), phone number, height, weight, clothing sizes, and current photos to This email address is being protected from spambots. You need JavaScript enabled to view it..
Or register for free if you are interested in working on other projects too www.gwci.app/talent

Published in Jobs & Castings
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